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Close Encounters? No, just Encounter, though the choice of title is deliberate. Instead of Richard Dreyfuss on the road, heading towards alien contact, Encounter offers Riz Ahmed’s Malik on the road with his two sons, heading towards something… or perhaps something else… or perhaps nothing at all. It’s all a massive tease, really, and it’s Michael … Read more
Though tricked out in an almost offhand way like a film noir, Force of Evil is actually something else entirely, an old school Greek tragedy, featuring a noble hero cursed by a fatal flaw in his character, one which will first be exposed and then cause his downfall. John Garfield plays Joe Morse, a lawyer … Read more
Red Rocket is the latest news bulletin from Scuzzville USA by Sean Baker, who gave us bitching transexual sex workers in Tangerine (the one “shot on an iPhone”) and the travails of motel-dwelling poor white trash in The Florida Project. Both of those flirted with poverty porn and so does Red Rocket, more literally this … Read more
How do you follow a classic like The 400 Blows? With another one, if you’re François Truffaut. Shoot the Piano Player (aka Shoot the Pianist, or Tirez sur le pianiste in the original French) debuted in 1960, one year after 400 Blows had made Truffaut’s name as a director. Just in case there was any … Read more
At a certain point words won’t do. So it is with Labyrinth of Cinema, a wild kaleidoscopic three hours designed as a farewell by an old man to an art and craft he has loved, and to the world he’s been living in for around 80 years. The man is called Nobuhiko Ôbayashi and he’d … Read more
One of the most cultish of Hollywood directors, Nicholas Ray, made his directorial debut in 1949. 1951’s On Dangerous Ground was his seventh film in two years (eighth, if you count Roseanna McCoy, where he replaced director Irving Reiss). If this maverick made films in a hurry, he also made films that moved at speed. … Read more
The world is at Peak Ben Gazzara and Peak John Cassavetes in The Killing of a Chinese Bookie, a neo-noir from 1976 full of techniques – handheld camera, sparse (if any) lighting, crash editing, semi-improv – that seemed weird at the time but have since been absorbed into mainstream film-making. Cassavetes had worked on the early … Read more
In the opening moments of The Tunnel, an onscreen notice informs us that there are over 1,100 tunnels in Norway, and that, in the event of an emergency situation in any one of them, it’s really just a case of every person for themselves. There have been eight major fires in recent years, we’re further … Read more
A director on his way up meets a star on his way down in The Tall Target, a 1951 B movie about a plot to assassinate president-elect Abraham Lincoln in 1861, the year the American Civil War broke out. Anthony Mann directs, one year on from his breakthrough into the big time with the western … Read more
The title is a bit of a giveaway but The Killing of Kenneth Chamberlain does not end well for Kenneth Chamberlain, a 70-year-old former Marine with heart problems and mental health issues who, shortly after 5am one November morning in 2011 accidentally set off his medical alert pendant while he slept. Within two hours he … Read more
When Foolish Wives debuted in 1922, its writer/director/star Erich von Stroheim was at the peak of his popularity, having exploited anti-German sentiment during the First World War by playing a despicable Hun doing despicable things in a series of films. “The man you love to hate,” was his moniker, one gained in 1918 in the … Read more
Not taking many chances, but not making any mistakes either, King Richard is a grown-up Hollywood movie made in the classic style – no tricks, no experiments – with a solid Will Smith at its centre, as Richard Williams, the driven father of tennis superstars Venus and Serena Williams. The Williams sisters have exec-producer credits … Read more