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It was Elvis’s misfortune to die in 1977, just as punk rock was coursing through mainstream culture. Old and worn out at 42, sick and fat, the King became an instant shorthand for everything that this new wave of music wanted to drive to extinction. He died on the toilet, the story went, with an … Read more
The Arriflex 35BL camera is the most important ingredient in Across 110th Street. It drives the look, the location, the acting style, the intimate mood, in fact almost every aspect of this strange hybrid of blaxploitation and noirish crime thriller. Silent, lightweight and released in time for the Munich Olympics, the new 35BL (the BL … Read more
A middle aged Frenchman in running lycra approaches a prostitute. I really fancy you, he says, or words to that effect, but on principle I don’t believe in prostitution. I wonder if you’d consider a job off the clock. Oh no, sir, she replies, faintly amused by the directness of the man’s approach, I’m married … Read more
1964’s Marnie is Alfred Hitchcock on the comeback trail. True, the previous year’s The Birds had been a big hit, with barely any critics openly saying what a lot of them must have thought – that it’s not top-flight (ouch) Hitchcock. It had made a stack of cash for the director and Paramount. But Hitchcock … Read more
A poet of the mundane, Hong Sang-soo’s films are meditative, ordinary, commonplace affairs, static of look, unhistrionic in delivery. Boring as hell if viewed through your Marvel Cinematic Universe goggles. But look at a film like In Front of Your Face through the same eyes you use for everday life and a whole other world … Read more
If Netflix’s 2022 remake of All Quiet on the Western Front has done anything it’s revived interest in this 1930 original, a film more people have heard about than seen but which has been influential on generations of film-makers. It’s obvious that Kubrick borrowed heavily from it for the trench sequences in Paths of Glory, … Read more
A former ballerina embarks on an intense sexual relationship with her own son. That bald plot outline of Grand Jeté doesn’t give any sense of the almost tactile intensity of Isabelle Stever’s film, a drama driven by emotion rather than events. Plot junkies might need to sit this one out. But for those who like … Read more
“A piece of junk” is how Bette Davis described 1931’s Ex-Lady in her 1962 autobiography. By the early 1960s a good chunk of Davis’s stock in trade was disdain but even so it’s a tall claim. The film was, among other things, the first to put Davis’s name above the title. It’s a Hollywood “problem … Read more
The Enforcer. Not Clint Eastwood, or Jet Li or even Humphrey Bogart (who starred in a mostly forgotten film of the same name in 1951). Instead it’s Antonio Banderas’s name over the title of this very familiar sounding movie, which has ambitions that go not much further than getting itself onto a screen near you. … Read more
One supposedly represents the best of the best and the other the worst of the worst. In theory the Oscars and the Razzies are polar opposites, yet they have something in common. Each loves a pile-on. Every year as awards season comes around again, a fog seems to descend on the members of the voting … Read more
Marlene Dietrich’s favourite of all the films she appeared in was The Devil Is a Woman. Maybe because she’s playing an independent woman beholden to no man. Maybe because she laughs quite a lot in it. The two might not be unrelated. It’s set in Spain, and Dietrich plays Concha Perez, a beauty spotted first … Read more
Love Possibly is a riff on Love Actually, obviously, a romantic comedy about the hopelessly mismatched being manoeuvred together by fate and circumstance. If only it weren’t done in the mock documentary style. If only. It was made in 2018 when the mock-doc genre was even more overcooked than it is now (writing this in … Read more
