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Horizons aslant, perspectives askew, Hinterland borrows freely from German Expressionist cinema to put a new (old) spin on familiar material. “The war is lost,” intones a sombre voice in German as the lights come up. We’re in Austria after the First World War where a soldier just back from an extended stretch in a Soviet … Read more
The golden age of hijacking (1968-1972) was just peaking in 1969 when The Sicilian Clan (Le Clan des Siciliens) debuted, a French heist movie itself hijacked – twice! – by a plot involving the illegal commandeering of a plane and by a superannuated screen star who really shouldn’t be in it. It’s really, at bottom, … Read more
Whether you call this long and detailed documentary Ennio: The Glance of Music or Ennio: The Maestro, or just plain old Ennio – all three titles seem to be out there – one thing remains constant. It’s a love letter to one of the most famous film composers who ever lived. It’s directed by Giussepe … Read more
The twang of a jew’s harp is the first sound you hear in 1970’s Investigation of a Citizen above Suspicion. “BOING,” it goes, slightly ridiculously, the soundtrack of Ennio Morricone (who else?) instantly setting the tone for the entire film, an uneasy mix of the absurd and the satirical. Meanwhile, on screen, a handsome man’s … Read more
My Name Is Sara also goes by the title The Occupation – two separate titles for one film setting out to tell two distinct stories. There’s another bit of splittage going on as well. It’s a film shot in Poland with a Polish cast and crew but everyone in it speaks in English, regardless of … Read more
Time has robbed Ingmar Bergman’s film Scenes from a Marriage of some of its force but even so, if a forensic examination of a happy marriage’s collapse is what you’re looking for, it’s never been done better than it was here. I’m talking about the 1974 movie version, not the original 6x45minute TV mini-series it … Read more
Top Gun: Maverick comes such a long time after the original film – 30something years – that a quick introductory “previously on Top Gun” wouldn’t go amiss. Instead, new director Joseph Kosinski (who worked with Tom Cruise on Oblivion) puts us at ease with an opening sequence that’s a homage to Tony Scott, director of … Read more
When not co-creating, -writing and -directing the glorious Babylon Berlin TV series, Henk Handloegten likes to make films like Summer Window (Fenster zum Sommer), dramas that come front-loaded with a chunk of fantasy. The fantasy isn’t what his films are about, it’s more of a come-on, luring in the sceptical, who might find that they’ve … Read more
Good Luck to You, Leo Grande is a film about a middle aged woman hiring a young stud for impersonal hotel sex. Things get talky rather than saucy (that stuff is going on off-screen). So much so that you can almost imagine watching it with your mother. Your Mother May Vary. It’s a stage piece, … Read more
In My Mind is a close relative of one of those Nick Broomfield documentaries where, instead of making a film about his original subject, Broomfield tells the story of how he tried, but failed, to get his man or woman (see Tracking Down Maggie, about failing to get an interview with Margaret Thatcher, or Kurt … Read more
Jellyfish Eyes starts out looking like a cute ET story and winds up being more a rampage-and-destrcution, Godzilla kind of thing. In between it gets most of the big things right. It’s Japanese, from 2013, and is the only feature film so far directed by Takashi Murakami, who is more a TV producer, though he … Read more
There’s a lot of misdirection in The Lost Daughter, starting with the title, but to go into exactly where the misdirection lies and what it consists of is to ruin the entire film. It’s an adaptation of an Elena Ferrante novel, which is a bit of an unusual departure in itself, because for all the … Read more
