Desperate

Anne and Steve look at each other

Anthony Mann called Desperate his first proper movie, the one where he got to do what he wanted to do. Mann, now so famous for his westerns, had previously proved himself a master of film noir, as Desperate proves. This was the first of seven he’d crank out in 1947 and 1948. It’s a good work rate, but then these were made hot and fast. If it was me I’d have put director George Diskant’s name on the movie as its star. His cinematography is majestic. He was known for deep focus and his mastery of contrast – plenty of both here. But things being how they are it’s Steve Brodie’s name at … Read more

Happyend

Yuta and Kou share a joke

Billed as sci-fi, Happyend is actually closer to films like Dazed and Confused or The Last Picture Show. It catches a bunch of Japanese youngsters just as they start the transition away from high school and on to the next thing. If there are the end of times coming down the track, they are not the impending annihilation of the planet after alien invasion but approaching adulthood. There is a sci-fi element, though it seems to be there as a cover rather than as an integral part of the plot. We’re in an authoritarian world where ethno-nationalism has its feet in the zeitgeist’s stirrups. In the high school where our two main guys, … Read more

The Devil Thumbs a Ride

Lawrence Tierney in a publicity shot thumbing a lift

It’s only in B movies that the bad guy gets top billing. That’s the case with The Devil Thumbs a Ride, a showcase for Lawrence Tierney, playing a villain who looks like he’s been lifted out of the 1930s and dropped into this 1947 noir. Cold and deadly, side-of-the-mouth diction. He fits in perfectly with this mix of the ugly and the quaint, the terse and the acidic. The whole thing is a cliché, but a cliché done with a considerable amount of flair. Tierney plays a hood, a murderer who shoots a man in cold blood and then flees the scene of the crime by picking up a lift with a drunk … Read more

Preparation for the Next Life

Aishe and Skinner stare at each other

As a title Preparation for the Next Life sounds a bit sci-fi, spiritual maybe. But in fact it’s set in the very real world of the immigrant experience, as seen through the eyes of a young Uyghur woman who has arrived in New York on the back of a truck and is now trying to make a go of things without papers. As I type Immigration and Customs Enforcement (ICE) are rounding up people all over the USA, so this film, shot in late 2024 and early 2025, couldn’t be more timely. Director Bing Liu is best known for his documentaries, All These Sons and the Oscar-nominated Minding the Gap. He seems keen … Read more

The Clock

Joe stares into Alice's eyes

Stirringly democratic and winningly romantic, The Clock is one of Judy Garland’s best films. She sings not a note, you may be surprised to learn, but brings a tear to the eye with her portrayal of a sweet young miss having a whirlwind romance in surely the most New York New York ever committed to film. Almost all of it was shot in the studio, you may also be surprised to learn. Anyhow, Alice (Garland), a button-bright go-getter meets-cute with Robert Walker’s Joe Allen, a corporal on 48 hours leave, after he causes her to break a heel on an escalator in busy Pennsylvania Station. Though properly contrite, he is taking barely any … Read more

Oh, Canada

Jacob Elordi as a young Leo

Robert DeNiro turned it down and so Richard Gere wound up with another decent role, in Paul Schrader’s Oh, Canada, a cool look at “heroic” types who have done little more than hitch a ride on a wave. Gere plays a crusading documentarian who, stricken with terminal cancer at the end of his life, is being interviewed by old students – now famous themselves – for a last hurrah. Malcolm (Michael Imperioli) and Diana (Victoria Hill) are here to celebrate the man and his valiant work. That’s the dying Leo’s initial intention, too. But, unsure of himself and realising that this is his last chance to set the record straight, he switches track … Read more

The Woman on the Beach

Peggy smokes and Tod scowls

The Woman on the Beach is a bit of a dog’s breakfast. Designed as a dreamy, psychological tear through the unconscious, where libido is locked in a fight with other bits of the psyche, it wound up looking like it had been in a fight with itself. After a negative preview screening, panicked director Jean Renoir took it away and cut out 30 minutes of it. After reshooting all the scenes between leads Joan Bennett and Robert Ryan, he recast the only other significant woman in it. Out went Virginia Huston and in came Nan Leslie, who plays the significantly named Eve. The result? “I produced a film which was, I think, neither … Read more

Riefenstahl

A smiling Adolf Hitler with a laughing Leni Riefenstahl

As you might expect, Riefenstahl is a documentary about Leni Riefenstahl, “Hitler’s favourite film-maker”. The director of Triumph of the Will and Olympia, Riefenstahl’s career was first boosted and then destroyed by her association with the Führer. She insisted to the grim end – she died aged 101 in 2003 – that she was enthusiastic for Hitler at the time because all Germans were, nothing more or less. Director Andres Veiel had access to the Riefenstahl estate and so is able to include material that’s not been seen or heard before – interviews blowing up spectacularly when Riefenstahl loses her rag and telephone conversations with supporters, including Albert Speer. Veiel largely takes the combative … Read more

The Unsuspected

Victor and his ward Matilda

Very meta, especially for 1947, The Unsuspected is a crime thriller about a murder at the home of the host of a true-crime podcast – whoops, radio show. The show is called The Unsuspected too, and is hosted by Victor Grandison, those names suggesting he’s both victorious and grandiose. It’s obviously him wot dunnit, innit? Even though he was live on air at the time? Let’s see. Victor is played by Claude Rains. And if there was just one reason for watching this fast and fun thriller he’d be it. But in fact there are plenty. Big-house murder-mystery is the big idea, with lots of suspects to point the finger at once murder – … Read more

Dracula

Mina and the Count

Persistently undead, always on point, it takes more than a stake and some garlic to keep the Carpathian count in his box. This Dracula is one of several outings for the thirsty aristocrat and pretenders to his crown in recent years. As well as a recent Nosferatu, other high-profile entries on a long list include The Last Voyage of the Demeter and Renfield, not forgetting El Conde, The Vourdalak, Day Shift and Humanist Vampire Seeking Consenting Suicidal Person. In 2025 alone there were two movies called Dracula. This one, by Luc Besson – also known as Dracula: A Love Tale – and Radu Jude’s starkly mononymic Dracula. No surname required. To be honest, … Read more