Latest Posts
The Killing of Kenneth Chamberlain
The title is a bit of a giveaway but The Killing of Kenneth Chamberlain does not end well for Kenneth Chamberlain, a 70-year-old former Marine with heart problems and mental health issues who, shortly after 5am one November morning in 2011 accidentally set off his medical alert pendant while he slept. Within two hours he was dead at the hands of the New York cops who had been sent to run a routine “welfare check” on a man they knew to be “emotionally disturbed and medically fragile”. It’s a true story, and many of the details of what we see in this fictionalised reconstruction are confirmed just before the end credits. Writer/director David … Read more
100 Years of… Foolish Wives
When Foolish Wives debuted in 1922, its writer/director/star Erich von Stroheim was at the peak of his popularity, having exploited anti-German sentiment during the First World War by playing a despicable Hun doing despicable things in a series of films. “The man you love to hate,” was his moniker, one gained in 1918 in the film The Heart of Humanity, where he plays a ruthless German officer who throws a baby out of the window so he can better get on with raping a Red Cross nurse. That’ll do it. Foolish Wives works the same seam, though, the war over and the Russian revolution grabbing more headlines, von Stroheim is now playing a … Read more
King Richard
Not taking many chances, but not making any mistakes either, King Richard is a grown-up Hollywood movie made in the classic style – no tricks, no experiments – with a solid Will Smith at its centre, as Richard Williams, the driven father of tennis superstars Venus and Serena Williams. The Williams sisters have exec-producer credits on the film, so don’t come expecting dirt. Don’t expect this to be a biopic about the tennis phenomenons either. It is what it claims to be: the story of their father as he hustled his daughters to the top. And it shows us what it takes to get poor kids from Compton, LA, to pole position on … Read more
Clochemerle
Broadcast in 1972, the same year it was agreed that the UK would join the European Common Market, Clochemerle caused a stir when it was first shown. That’s because this charming show was all about a urinal. This pissoir (the word is never used) is erected in a small French village by the progressive mayor and town clerk, and causes ructions after the forces of conservatism decide it’s an affront to deceny and campaign to have it taken down. It was an unusual TV show in many respects. It was an international collaboration (with West German TV) in an era when such things were rare. It was an adaptation of a French comic … Read more
Underworld USA
Shock, horror, probe. Sam Fuller’s Underworld USA is further proof that the former crime journalist and pulp novelist’s knack for attention-grabbing material survived the transition from the page to the screen. Fuller was a newspaper copyboy aged 12, a crime reporter aged 17, a novelist aged 23 and a screenwriter aged 26. A man in a hurry with a newspaperman’s broad-brush approach, a desire to tell a story boldly and clearly… and then move on, in the early 1960s he became particularly associated with low budget issue-driven features that were all about the lurid sell – Shock Corridor (mental illness), The Crimson Kimono (interracial relationships) and The Naked Kiss (prostitution). Underworld USA fits that … Read more
App
App is a film about an app and it originally came with an app. Wha? It’s the first movie to use “second screen technology’ to deliver extra content via smartphone while the main feature plays out on the big screen. “Start the app now” a message (in Dutch) flashes up on the screen as the movie gets underway. App came out in 2013. I watched it in 2022. The accompanying app is no longer available, and even if it were, it probably wouldn’t work on the new operating systems now in use. Nothing dates quite so fast as tech. Movies, on the other hand, have more of a shelf life, and the good … Read more
Panique
How’s this for grim! The atmospheric and technically superb Panique, released in 1946, one year after the war ended, gave the French people an image of themselves at their worst. What the domestic market wanted at the time was sugar-coated triumphalism, stories about the nobility of the Resistance to the German occupation and the endurance of the indomitable French spirit etc. Unsurprisingly the film bombed. An adaptation of one of Georges Simenon’s “romans durs” (the tougher novels that didn’t feature Simenon’s decent detective Maigret), it opens with the death of a woman and closes with the death of a man. In between director/co-writer Julien Duvivier gives us one of the most relentlessly depressing … Read more
Flee
Towards the end of 2021 Flee found itself in the curious position of being eligible for Oscar nomination in three different categories. Which way to jump? It eventually submitted itself as a contender in the Best International Feature category. Best Animated Feature was also an option. As was Best Documentary – though spotting that Summer of Soul was in that category would make anyone think twice. Flee ticks all three boxes because it is a documentary telling the true story of a young man called Amin and his long and perilous flight from wartorn Afghanistan up to the moment, where he is about to marry his partner, Kaspar. It’s from Denmark (box two) … Read more
Scarlet Street
There’s a “strike while the iron is hot” aspect to 1945’s Scarlet Street, a quick follow-up to 1944’s The Woman in the Window which reunited the three key cast members – Joan Bennett, Edward G Robinson and Dan Duryea – with director Fritz Lang and the ace cinematographer Milton Krasner. That was noir and so is this, a remake of Jean Renoir’s 1931 film La Chienne (literally, The Bitch). Renoir didn’t like Lang’s remake and nor, later on, would he like Human Desire, Lang’s remake of his La Bête Humaine. Edward G Robinson was also in the Renoir camp. He didn’t like working on Scarlet Steet much, considering it too similar to The Woman … Read more
Let the Corpses Tan
Pastiche nudged into madness, Let the Corpses Tan is a Sergio Leone film on psychoactive substances and the third feature-length outing for Hélène Cattet and Bruno Forzani, who specialise in this sort of weird pastiche/homage. Their 2009 feature debut, Amer, baked Lynch, Kubrick, Svankmajer and Argento into a kaleidoscopic revisit to the Euro soft porn/arthouse crossover of the 1970s. Their The Strange Colour of Your Body’s Tears was an onslaught of stylishness in a dream-infused slasher movie ripe as a liquid Camembert. In between they also did the O Is for Orgasm segment of The ABCs of Death compendium movie, a sado-masochism-inflected view of sexual congress that was all leather, taut stomach and … Read more
Flag Day
Parenting tips with Sean Penn? Flag Day continues the actor/director’s interest in movies circling around the idea of family. In 2001’s The Pledge, childless, edge-of-retirement cop Jack Nicholson sought redemption by bringing in a child murderer, out of a personal sense of duty to the parents. In 2007’s Into the Wild, graduating student Emile Hirsch rejected the fast track to the top enabled by his wealthy parents and headed into the wilderness to… also seek redemption. Even if you didn’t like them, both were full of interesting moments and performances. More tightly focused than either of those on the actual parent/child bond, Flag Day tracks the on/off, up/down journey down the decades of charming … Read more
Quai des Orfèvres
“Quai des Orfèvres” means “the cops” in France in the same way that “Scotland Yard” does in the UK. So it’s no surprise that this classic from 1947 is a crime thriller. It’s a peculiarly knotty one, directed by the masterly Henri-Georges Clouzot, who also did the adaptation, from Stanislas-André Steeman’s original novel Légitime Défense. Clouzot did not have the novel in front of him as he worked, and had not read it for years, but he took Steeman’s basic idea and fleshed it out using his own characters, getting all sorts of plot details “wrong” as he worked. The result appalled Steeman, who discovered that Clouzot and writing collaborator Jean Ferry had … Read more
