Month: February 2022

Panique

by
Monsieur Hire and Alice

How’s this for grim! The atmospheric and technically superb Panique, released in 1946, one year after the war ended, gave the French people an image of themselves at their worst. What the domestic market wanted at the time was sugar-coated triumphalism, stories about the nobility of the Resistance to the German occupation and the endurance of the indomitable French spirit etc. Unsurprisingly the film bombed. An adaptation of one of Georges Simenon’s “romans durs” (the tougher novels that didn’t feature Simenon’s decent detective Maigret), it opens with the death of a woman and closes with the death of a man. In between director/co-writer Julien Duvivier gives us one of the most relentlessly depressing … Read more

Flee

by
Amin

Towards the end of 2021 Flee found itself in the curious position of being eligible for Oscar nomination in three different categories. Which way to jump? It eventually submitted itself as a contender in the Best International Feature category. Best Animated Feature was also an option. As was Best Documentary – though spotting that Summer of Soul was in that category would make anyone think twice. Flee ticks all three boxes because it is a documentary telling the true story of a young man called Amin and his long and perilous flight from wartorn Afghanistan up to the moment, where he is about to marry his partner, Kaspar. It’s from Denmark (box two) … Read more

Scarlet Street

by
Kitty and Chris

There’s a “strike while the iron is hot” aspect to 1945’s Scarlet Street, a quick follow-up to 1944’s The Woman in the Window which reunited the three key cast members – Joan Bennett, Edward G Robinson and Dan Duryea – with director Fritz Lang and the ace cinematographer Milton Krasner. That was noir and so is this, a remake of Jean Renoir’s 1931 film La Chienne (literally, The Bitch). Renoir didn’t like Lang’s remake and nor, later on, would he like Human Desire, Lang’s remake of his La Bête Humaine. Edward G Robinson was also in the Renoir camp. He didn’t like working on Scarlet Steet much, considering it too similar to The Woman … Read more

Let the Corpses Tan

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Skull in the foreground, human behind

Pastiche nudged into madness, Let the Corpses Tan is a Sergio Leone film on psychoactive substances and the third feature-length outing for Hélène Cattet and Bruno Forzani, who specialise in this sort of weird pastiche/homage. Their 2009 feature debut, Amer, baked Lynch, Kubrick, Svankmajer and Argento into a kaleidoscopic revisit to the Euro soft porn/arthouse crossover of the 1970s. Their The Strange Colour of Your Body’s Tears was an onslaught of stylishness in a dream-infused slasher movie ripe as a liquid Camembert. In between they also did the O Is for Orgasm segment of The ABCs of Death compendium movie, a sado-masochism-inflected view of sexual congress that was all leather, taut stomach and … Read more

Flag Day

by
Jennifer and John

Parenting tips with Sean Penn? Flag Day continues the actor/director’s interest in movies circling around the idea of family. In 2001’s The Pledge, childless, edge-of-retirement cop Jack Nicholson sought redemption by bringing in a child murderer, out of a personal sense of duty to the parents. In 2007’s Into the Wild, graduating student Emile Hirsch rejected the fast track to the top enabled by his wealthy parents and headed into the wilderness to… also seek redemption. Even if you didn’t like them, both were full of interesting moments and performances. More tightly focused than either of those on the actual parent/child bond, Flag Day tracks the on/off, up/down journey down the decades of charming … Read more

Quai des Orfèvres

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Jenny Lamour and the inspector

“Quai des Orfèvres” means “the cops” in France in the same way that “Scotland Yard” does in the UK. So it’s no surprise that this classic from 1947 is a crime thriller. It’s a peculiarly knotty one, directed by the masterly Henri-Georges Clouzot, who also did the adaptation, from Stanislas-André Steeman’s original novel Légitime Défense. Clouzot did not have the novel in front of him as he worked, and had not read it for years, but he took Steeman’s basic idea and fleshed it out using his own characters, getting all sorts of plot details “wrong” as he worked. The result appalled Steeman, who discovered that Clouzot and writing collaborator Jean Ferry had … Read more

Nobody

by
Bob Odenkirk with cat

“Who the fuck are you?” two cops ask the bloody guy they’ve got sitting over the table from them, in some sort of interview situation. “I’m, er…” he says. And boom, up on the screen comes the single word in giant letters, NOBODY, and this head-clearing mix of extreme violence and dry comedy gets underway. The nobody is feeding a kitten from a tin of tuna, by the way. A movie-length flashback answers the cops’ question. The guy is called Hutch Mansell. Director Ilya Naishuller and writer Derek Kolstad quick-cut-montage a picture of his humdrum existence. A suburban husband and father who does the routine things that dads with two school-age kids do, … Read more

The Matrix Resurrections

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Neo and Trinity amid smoking rubble

Dull rather than dim,The Matrix Resurrections reanimates the corpse of the original and best of the previous three Matrix movies and sets off in the right direction before bogging down in the sort of world-building, lore-laden plotting that hobbled numbers two and three. Some years have passed and Thomas Anderson (aka Neo aka The One but really Keanu Reeves) is now the world-famous designer of The Matrix, a trio of games that once took the world by storm. The games are still out there, though these days more in a legacy rock band kind of way. Resting on his laurels, Mr Anderson lives the gilded life of the successful and feted game designer. … Read more