Steve

The Drummer

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Danny Glover and Sam Underwood

A typically copper-bottomed performance by Danny Glover isn’t just the making of The Drummer, it sets the tone for the entire film. He’s been doing this sort of thing for ever – long before Lethal Weapon more or less institutionalised his shtick – and here plays the Vietnam veteran who runs a drop-in centre called The Drummer, which caters for serving military personnel who want out. It’s 2007 and George W Bush has just ordered “the surge” in Iraq, and in an all-hands-on-deck move the army is sending back into the field of conflict people who really shouldn’t be there, either because they’re exhausted and have done too many tours already, or because they’re … Read more

No Time to Die

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Lashana Lynch and Daniel Craig

A remembrance of Bonds past, No Time to Die is an evocative, elegiac farewell to Daniel Craig which also feels like a goodbye to the entire franchise – the familiar “James Bond will return” is there after the end credits, in case you need reassuring. It covers a lot of ground, flicks a lot of synapses not normally flicked by a Bond movie and is fascinating from first to last. All of the Craig Bond movies have played about with the Bond formula one way or another, but No Time to Die seems to have gone one step further, as if it wants to run two Bond movies in parallel – the one we … Read more

Shang-Chi and the Legend of the Ten Rings

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Xialing, Shang-Chi and Katy

Self-important, windy, drowning in lore, full of flat characters and just plain old dull, Shang-Chi and the Legend of the Ten Rings is everything it shouldn’t be, a spectacular own goal from Marvel. It looked like an open goal, too. Moving the Marvel Cinematic Universe to China is a great idea – a civilisation with millenia of history, superheroes aplenty and enough dragons and lion-headed creatures to stock a whole other pantheon of characters and an entire alternative bestiary. Plus, not to be forgotten, a massive population waiting to be sold stuff. The film is based on Marvel’s 1973 creation Shang-Chi, who was originally the virtuous son of the villainous Fu Manchu (Marvel … Read more

The King of Staten Island

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Ray and Scott

The thing to know going into The King of Staten Island, co-written by Judd Apatow, Dave Sirus and Pete Davidson, is that Davidson’s father was a fireman who lost his life in the call of duty (at the World Trade Center on 11 September 2001, in fact). The father of Scott Carlin, the character Davidson plays in this movie, also lost his life in the line of duty, so it’s fair to say there’s probably an autobiographical element in this semi-comic look at a life held in arrested development by family trauma. If you don’t know Davidson, he’s the guy with the slappable face from Saturday Night Live, a slappability put to good … Read more

Copshop

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Frank Grillo with gun

More tightly controlled chaos from Joe Carnahan with Copshop. Following hard on the heels of Boss Level, it’s another display of post-Tarantino buzzsaw brilliance, and again it has Frank Grillo – late to the action party but most welcome – as a badass lead. Most Carnahan films – The Grey and The A Team being notable exceptions – are like Copshop. The action starts out with a couple of characters doing something fairly preposterous, and then Carnahan widens his net with real skill to incorporate more and more characters, all also doing preposterous, or bad, or mad things, before he finally gets everyone together for a gonzo finale usually involving excessive gunplay and suicidal … Read more

Boys from County Hell

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Eugene and dad Francie eye the cairn

Boys from County Hell starts as it means to go on, mixing the mundane and the macabre in an opening scene where an ageing Irish couple watching TV have a desultory conversation about the TV show they’re watching (boring) and whether they should pop out to the local pub for a drink instead (no). And then they both start bleeding profusely from the eyes and nose. Cue screaming and opening credits. The local pub is called The Stoker, after Irish author Bram Stoker, who might well (a current hypothesis suggests) have borrowed heavily from the Irish legend of Abhartach when writing Dracula. It’s the licence writers Chris Baugh (who also directs) and Brendan … Read more

Dragged across Concrete

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Mel Gibson and Vince Vaughn

Dragged across Concrete is a bit of a masterpiece, an urgent, drily funny, brutal, dirty and often ugly film full of horrible people, whom we nevertheless root for because writer/director S Craig Zahler focuses on the relationships rather than the genre aspects of this admittedly big genre beast of a movie. Zahler – he’s called that by everyone, apparently (his mum too?) – has done this before. In 2015’s Bone Tomahawk he re-worked the western, switching out of what you might call Revisionist Indian mode (they’re all noble, sinned against etc) into something far less PC and much more gruesome. If you’ve seen it, I’ll just say “that scene where…” and leave it … Read more

August 32nd on Earth

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Two pairs of feet on the salt flats

With perfect hindsight it’s easy to see Denis Villeneuve’s first feature, August 32nd on Earth (Un 32 Août sur Terre, in the original French), as the work of a director who would go on to make great sci-fi like Arrival, Bladerunner 2049 and Dune. Back in 1998, when it was released, it looked more like a homage to the French New Wave, albeit with little otherworldly touches ensuring that while its feet are on the ground, its head is somewhere else. With a “here I am” opening announcing Villeneuve as a young man in hurry, we’re introduced to Simone (also the film’s original title), a young woman in a hurry who’s gunning her … Read more

Swan Song

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Pat stops the traffic

Swan Song is a gay movie set in a post-gay world, a lament for the loss of the sense of community that the transition from “in” to “out” has brought with it, but also a celebration of “how far we’ve come”. Somehow, successfully, magically, it keeps these two elements in play. How gay? There’s Judy Garland on the soundtrack, and Dusty Springfield, and Shirley Bassey. There’s Jennifer Coolidge in the cast and… get this… Linda Evans (of Dynasty fame). And what a role for Udo Kier, on screen for all of it, as an aged gay (gay, not queer) man of the old school – flamboyant, arch, bitchy, a former hair-and-beauty salon owner now … Read more

Dune

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Paul Atreides with his mother, Lady Jessica

“Dreams are messages from the deep,” it says right up at the front of Denis Villeneuve’s 2021 adaptation of Dune, possibly a nod to David Lynch, whose hazy 1984 version crashed and burned in spectacular, almost sci-fi fashion. Other nods – the design of the stillsuits and the sandworms for instance – also hark back to Lynch, a magnanimous gesture on the part of Villeneuve who, after Arrival and Bladerunner 2049, has nothing to prove in the realm of sci-fi. Lynch was being pulled in two directions when he was making his version of Frank Herbert’s novel. He wanted to make a David Lynch film, all dreamy and out there. But there was … Read more