Wife of a Spy

The wife and the spy go shopping

There’s a real lack of urgency in many of the films of Kiyoshi Kurosawa. Sometimes it works in his favour, sometimes against. Against, I’m feeling, with Wife of a Spy. Though there are plot bombs dropped towards the end, and fascinating ideas bubbling away in there to, this high-tone mix of lush period drama and fine acting is undercut by Kurosawa’s tendency to soft-pedal. Spies, a time of national emergency, marital infidelity, Wife of a Spy doesn’t lack for hot subject matter and, for the non-native viewer, it also offers a window on a world we don’t often see – Japan during the Second World War, when patriotism took on an almost mystical … Read more

Dune

Max von Sydow, Patrick Stewart, Kyle MacLachlan and Jürgen Prochnow

Dune. Not Denis Villeneuve’s 2021 behemoth, that pleasure still awaits. But David Lynch’s 1984 version, the only film in his career that he wished he hadn’t made and will not talk about in interviews, except to say he shouldn’t have made it. And not the theatrical version either, but the “extended” one worked up for TV so it could be shown in two 90 minute chunks. Lynch hated this one so much he had his name taken off the credits. So welcome to another “Alan Smithee film”. Acutally Lynch originally had a four-hour cut in mind but had managed to get the running time down to three hours. Not short enough for his … Read more

On the Silver Globe

A high priestess

Ready for one of the strangest sci-fi movies ever made? On the Silver Globe (Na srebrnym globie in the original Polish) is as powerful as it is incomprehensible, as if David Lynch’s Dune had been put in a bag and tossed around with Game of Thrones, Tolkien, Tarkovsky and Mad Max. The story behind it is interesting too. It was mostly shot in 1976 by the brilliant Polish director Andrzej Zulawski, but production was closed down by the Communist censor, who feared the film was wandering into off-limits territory. The sets and costumes were destroyed, and so were all prints of the film. Or so the authorities thought. In fact Zulawski managed to … Read more

Le Trou

Claude behind a wire screen

How about this for authenticity – Le Trou opens not with music or credits but with a camera pan across to a man working on a car. Noticing the camera, the man gets up and says, (translated) “Hello. My friend Jacques Becker has recreated a true story in all its detail. My story. It took place in 1947 at the La Santé prison.” The man is Jean Keraudy, who led an attempted escape from the notorious Parisian prison, and he appears as himself in Becker’s dramatisation of it, perhaps the greatest prison escape movie ever made. Becker made the movie in 1960 and was dead within weeks of finishing shooting, which did wonders for … Read more

Beanpole

Beanpole at home

Beanpole (Dylda) is an obsessively observed, massively ambitious Russian film set in the aftermath of the siege of Leningrad which tells its story of lives brutalised by war from the point of view of two young women. It won Kantemir Balagov the best director gong at Cannes in the Un Certain Regard category. That’s the one for young directors doing ambitious or unusual work, which puts Beanpole in the company of films such as Dogtooth, The Death of Mr Lazarescu, White God and Rams – classics all. Balagov, a onetime student of Alexander Sokurov, had already picked up the FIPRESCI prize at Cannes two years earlier, when he was only 26, with his … Read more

Hanussen

Hanussen on stage

Magic and the Nazis. Hanussen, the bizarre and true story of Eric Jan Hanussen, is ideal big screen material, you’d have thought, since the Austrian stage hypnotist and soothsayer was a charismatic performer who held Germans in his thrall in the dying days of the Weimar Republic and into the Nazi era. The parallels with Hitler are obvious, and once you add in the rumour that Hanussen was the man who taught Hitler his techniques of mass manipulation and crowd control, it has all the ingredients of a story with a ready audience. However, there have been only two attempts at it. A 1955 version which seems to have vanished into the ether, … Read more

Malignant

Madison on the floor

One word titles suggesting ugginess are a bit of a specialty for James Wan – Saw, Insidious and now Malignant, a never frightening but entirely entertaining tour of the all-you-can-eat horror buffet. The writer/producer/director piles on a whole load of stuff, then a bit more, and then more still. If nothing else, you have to admire the size of his plate. It all starts pre-credits with one of those sequences set inside some murky clinical facility where a medical team are trying to subdue someone or thing and finding themselves up against it. The thing, or whatever it is, seems to be “drinking electricity”. Hold on to that thought – and then later … Read more

How to Build a Girl

Rocker Jack Kite and Johanna share a Walkman

How to Build a Girl is the slightly – but not very – fictionalised story of Caitlin Moran, the British writer from the Midlands who published her first novel aged 15, was writing for the music paper Melody Maker aged 16 (gigs by night, home-schooling by day) and had her own column in the Times newspaper aged 18. She’s still writing for them. In the same way that journalism is not literature, this film is not a masterpiece of considered thought. Exactly as it should be, it’s a slightly chaotic, borderline marvellous yet reasonably forgettable dramedy charting Caitlin’s rise, fall and rise again in classic “had it, lost it, got it back” arc, … Read more

M

Peter Lorre with M chalked on his back

The point of Fritz Lang’s 1931 film M – Eine Stadt Sucht einen Mörder is slightly lost when its truncated title, simply M, is used. This is a story not about a murderer (which is what the M stands for) but about the mob, when the rule of law is rejected in favour of a lynching. Which all comes as a bit of a surprise if you’re watching M for the first time and only know it from its reputation. There are two other things that most people coming fresh to this film already “know”. These are a) that M is an expressionist masterpiece and b) it’s got Peter Lorre in it. Dealing … Read more

Petite Maman

Marion in hair band and Nelly

Céline Sciamma’s Petite Maman takes such a massive turn at a certain point in its brief 1hr 12 minutes running time that it could only be spoilerish to mention it. Let’s just say she might have been watching Netflix’s German TV series Dark and leave it at that. As to the rest of it, it’s absolutely classic Sciamma territory – sentimental education, always female – following on from Sciamma’s 2007 debut and taking in Tomboy, Girlhood and Portrait of a Lady on Fire, the last of which is definitely on a very short shortlist of the best movies of 2019. Petite Maman may be brief but it’s so densely packed that if you’d … Read more