A movie for every day of the year – a good one
Jeff Lynne born, 1947
On this day in 1947, Jeffrey Lynne was born in Birmingham, UK. Jeff was an early starter and by the age of 16 had formed a band in Birmingham, called first The Hellcats, then The Handicaps, and finally The Andicaps. By 18 he had learnt the rudiments of the studio recording process after buying a Bang & Olufsen BeoCord 2000 reel to reel tape machine, and joined a band called The Nightriders, who changed their name to The Idle Race. In 1970 he joined The Move, at the invitation of former Nightriders/Idle Race member Roy Wood. Together with guitarist/singer Wood, and drummer Bev Bevan, also of The Move, Lynne formed The Electric Light Orchestra, a rock/classical hybrid band designed to function in tandem with The Move. In fact the ELO almost immediately replaced The Move, both in the affections of the founders, and musically. Both Lynne and Wood were multi-instrumentalists adept at studio production and both saw themselves as frontmen. By 1972 – in a clear case of “too many chiefs” – Wood had left, leading to Lynne taking full creative control of ELO. Lynne tempered the rockier edge of the band over time, and ELO became a pop band with an increasingly complex studio sound. ELO became one of the most successful bands of the 1970s, though they were never regarded as cool by music papers such as the New Musical Express. During the 1980s the band’s popularity began to wane and Lynne moved into producing, including for George Harrison on his album Cloud Nine, much of which was co-written by Lynne. This led to the formation of The Traveling Wilburys, with Harrison, Tom Petty, Bob Dylan and Roy Orbison. In the 1990s Lynne produced the Anthology albums for the surviving Beatles. Since then he has produced and written for Tom Jones, Aerosmith, Regina Spektor and Joe Walsh.
Boogie Nights (1997, dir: Paul Thomas Anderson)
Is Boogie Nights Paul Thomas Anderson’s best movie? Yes, he’s hit high notes since, with There Will Be Blood for instance, but Boogie Nights seems to have it all. And by “it all” I don’t just mean Heather Graham naked – at one point nearly every film seemed to feature Heather Graham naked. A souped-up version of his 1988 half-hour film The Dirk Diggler Story, it tells the story of the smalltown boy with a big asset in the trouser area, who becomes a porn star in its last golden age, when films were shot on real film, and had storylines. OK, so the storylines were as scant as Graham’s outfits but hey… Anderson conjures the period brilliantly and seems to make absolutely no wrong turns at all. Casting Mark Wahlberg, then still better known as Marky Marky of Calvin Klein underwear fame, was as brilliant as getting old Burt Reynolds to turn up and remind us what a real shit-eating grin looks like. Playing Jack Horner, Reynolds is folksy perfection as a porn producer who has borrowed half of Colonel Sanders’ finger-lickin’ shtick and gathered around him a surrogate family of performers, technicians, hangers-on, dealers, schemers, but not many friends. Boogie Nights is about the business of making porn, the production-line process of it, the people it sucks in and spits out, how the smart ones treat it as a job and how the dim ones are beguiled by it and ruined. Wahlberg, as Dirk Diggler, tightropes along that dividing line all the way through, surrounded by characters such as new best friend Reed (John C Reilly), sad-eyed assistant director Bill (William H Macy) and mother figure Amber Waves (Julianne Moore) who are all also negotiating the sticky path. The music of ELO fits the bill perfectly – bouncy, a touch of cheese – alongside a great clutch of poptastic tunes that dial us back to the late 1970s (Boney M, Andrew Gold, Hot Chocolate among them). Meanwhile Anderson’s camera also takes us back in time, in scenes that recall the roaming camera and complex long tracking shots of Robert Altman or Martin Scorsese. A film about the 1970s made in the style of the masters of the 1970s, with a big cast of well defined characters all with their own story arcs, that’s not easy. Following on from Hard Eight, PT Anderson’s mood piece about gamblers and other dwellers on the periphery, Boogie Nights announces the arrival in town of a new master.
- Wahlberg’s breakthrough
- Paul Thomas Anderson’s best film
- A cast including Anderson regulars Philip Seymour Hoffman, Philip Baker Hall, Alfred Molina
- Robert Elswit’s cinematography
© Steve Morrissey 2013