The Avengers: Series 3, Episode 18 ā€“ Mandrake

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The United States launched the Echo 2 satellite on 25 January 1964, the day that the Mandrake episode of The Avengers aired. And though the week beforeā€™s outing, The Wringer, had been a very up-to-date affair, set in the world of international espionage and modern brainwashing techniques, Mandrake harks back to earlier episodes of the series in its dourness and its down-to-earth setting.

Under-the-earth setting, in fact, because the plot concerns itself with a mystery about a string of dead businessmen, all of whom have been buried in the same remote Cornish town, Tinby, for no good reason. They donā€™t come from there and have no connection to the place. Battle is joined when an acquaintance of Steedā€™s, the latest mystery death, winds up six feet under the Cornish sod too.

Mandrake is a properly 1960s title though, Iā€™ll give it that, redolent of Aleister Crowley and witches’ covens. But anyone hoping for naked cavorting or goat-eyed sorcerers will be sadly disappointed.

However, we do get the marvellous John Le Mesurier, playing the latest in a long string of diffident males, here as a doctor at the rainy funeral Steed is attending. Of course something is afoot, and Le Mesurierā€™s good (ie bad) Doctor Macombie is up to his neck in it.

Enter Mrs Gale, again incognito, again as a journalist, asked by Steed to try and winkle out information from Tinby churchā€™s voluble cleric (George Benson ā€“ no, not that one). En passant Rev Whyper tells her that there used to be a mandrake plant by the lych gate, so thereā€™s our title explained.

Enter also Jackie Pallo, as a gravedigger/sexton with an obviously watertight reason to be in the churchyard but looking shifty all the same. Fans of old-school British wrestling will remember Pallo as one of its stalwarts, a vastly entertaining grappler with a ribbon in hair that resembled an 18th-century powdered wig. His autobiography was titled You Grunt, Iā€™ll Groan, and, fittingly, when it comes to dialogue, he gets little more than a few grunts in exchanges with Mrs Gale.

Two more locations: one is a plant-filled office where the dodgy doctor and the mastermind of their little scheme (Philip Locke) sign up for a sizeable sum people eager to be bereaved tout suite. The other is a Christmas card factory Steed visits and where he flirts saucily with general factotum Judy (played by Randall and Hopkirkā€™s Annette Andre ā€“ ā€œJeannie! Jeannie!ā€).

Itā€™s another Roger Marshall script, and apart from its downbeat settings, itā€™s pleasingly full of characters worrying about their class/status, its explains-it-all reveal is satisfyingly based on a fairly reasonable premise and, for those who think The Avengers is often too fanciful (Marshall and the more extravagant Brian Clemens didnā€™t exactly see eye to eye), this detour into detective territory will be a welcome relief.

In terms of actors, Le Mesurier gets the best of it, and his sweaty-browed milquetoast is lovely, as ever, to watch. Annette Andre initially wobbles but settles down once the bantering with Macnee gets going in earnest.

As for Jackie Pallo, you donā€™t hire a wrestler without giving him a fight scene, and in the Mrs Gale v Sexton fight sequence, he throws himself about like a man who does this sort of thing for a living. Look closely and you can see the leather-clad Honor Blackman accidentally kicking Pallo properly full on in the face and into an open grave ā€“ she knocked him out.






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Ā© Steve Morrissey 2019



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